Once cloned, you can change some parameters on the alternate path, or even swap out entire modules. With VMR it’s easy to clone an entire signal chain for comparison – just press the right arrow and everything currently on path A is copied to path B. You can also drag to reorder the modules as well. You can easily see all of the processing modules installed in the Library Pane, and you just drag and drop to get them into the signal chain. You can change the vibe, color and sound of your mix with a single click and easily undo and redo your changes. VMR 2.0 comes with seven default Dream Strips, although you can remove them and make your own.
Now you can instantly start mixing with the modules you use the most. So whenever VMR 2.0 is launched the leftmost Dream Strip always loads first. VMR 2.0 opens with your own custom dream channel strip by default. VMR 2.0 ships with the Mix Bundle One, which contains four Slate Digital processing modules: FG-401 Compressor, FG-S EQ, FG-116 FET Compressor and FG-N EQ. But even beyond the sound you can get with VMR 2.0, you also get the added bonus of speed and efficiency from having your entire processing chain in one convenient window. Choose from dozens of modules including vintage modeled EQs, compressors, enhancers, filters, preamps, mixing consoles, and more.
Help with slate digital vmr full#
VMR 2.0 allows audio engineers to easily create the channel strips of their dreams using a library full of analog modeled plugins. Introduced the Oversampling option (through Settings menu)Īdded a “Search Modules” feature in the Library Removed Noise from the following modules: FG-N, FG-S, FG-Stress, FG-73, FG-76 The VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.Dream Strips – 8 Instantly Recallable and Customizable Channel Strip Configurations Accessible with 1-Click Unlike so many ‘analog modeled’ equalizer plugins and compressors that simply recreate analog equalization and compression curves, the VMR models every nuance of the circuit paths and recreates all of the essential harmonics, saturations, phase, and interactivity that give the units their trademark tone. The FG-401 is perhaps the most versatile mix compressor in the world that can sound good on any source you feed into it! Last, we added an entirely unique second circuit path that provides an additional smooth and rich tone. Then, we added an optimal transformer input, and not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor.
First, we gave it variable attack and release with increased range which added more tonal options. The FG-401 started as a recreation of the classic British console channel compressor, but morphed into quite a lot more. The FG-116 sounds great on everything like lead vocals, drums, and bass guitars. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. No expense was spared to capture every nuance of this classic sounding compressor/limiter. The FG-116 is the most precise digital replication of the classic American FET limiter. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers. This is the ultimate workhorse mix eq that can be used on any track. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. The FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s. It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70’s. Audition signal chains faster, easier, and in real time with the Slate ‘VMR’. Moving modules around is easy, fast, and creates no break in audio playback. Chain an EQ before or after your compressor. Mix and match filters from different EQs.
This allows you to customize your own channel strip, with signal flow following the modules, in any order you choose.
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The ‘VMR’ operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW.